 | Ray Strong(1905-2006) Oak Group Founder / California Landscape Painterby Jeremy Tessmer |
It is with a profound sense
|
Table of Contents
|
I. Biography
Strong was born in Corvallis, Oregon in 1905. While he attended high school, Strong began painting plein air with Clyde Keller of Portland. Realizing his passion for art, Strong enrolled first in the California School of Fine Arts in San Francisco (now the San Francisco Fine Arts Institute). Strong then went to New York, and studied with Frank Vincent DuMond at the Art Students League.
In the early 1930s, Strong returned to San Francisco where he helped organize the Art Students League of San Francisco. There he studied and taught with Maynard Dixon (1879–1938), Frank Van Sloun (1879–1938) and George Post (1906–1997), and eventually opened an Artist’s Cooperative Gallery. During the Depression, Strong painted murals for the WPA. Some of his 1930s paintings are now in the Smithsonian American Art Museum.
In 1960, Strong and his wife Elizabeth, moved to Santa Barbara, California, for "the birds and the banks." Strong had been commissioned to paint the backgrounds to dioramas in the Bird Hall of the Santa Barbara Museum of Natural History, as well as some paintings for local bank. Until his death in 2006, Ray Strong was recognized as one of the leaders of the preservationist painters collective, The Oak Group in Santa Barbara County. |
II. An Analysis of the Artist's Work
Ray Strong's paintings of the California and Oregon landscape are astonishing in their feeling for the rhythms of natural form. Where his first paintings from the 1930s and 1940s belong to the American Scene painting tradition, his subsequent work documents his affection for the western land. His most successful works place him in the lineage of fine American landscape painters of the twentieth century along with his friend and fellow painter, Maynard Dixon.
|
Shanties and Shacks
c. 1940s
21.5" x 27.5"
Oil on canvas
Private Collection
This painting shows the transition from Ray Strong's Scene tradition painting to his developing interest in the landscape. With buildings jutting out at odd angles into the background and with waving grasses, the artist's interest in compositional rhythm becomes evident as well. According to the artist, the area is Mendocino. Ray and his wife, Betty, stayed there during summers when a friend of theirs was out of town. |  |
|
III. Collections
Smithsonian American Art Museum, Washington, D.C.
Santa Barbara Museum of Art, Santa Barbara, CA
Santa Barbara Museum of Natural History, Santa Barbara, CA
Lassen, Rainier, and White Sands National Parks
|
IV. Exhibitions
This section of the site is under construction.
2008 "Ranch By The Bay", Sullivan Goss, Santa Barbara, CA2005 "Ray Strong: Hidden Treasures", Sullivan Goss, Santa Barbara, CA
2005 "Anima Mundi", Sullivan Goss, Santa Barbara, CA
2005 "Ray Strong: 100 Years", Sullivan Goss, Santa Barbara, CA
2004 "In Search of America: Art of the American Scene", Sullivan Goss, Santa Barbara, CA
2003 "The Eighth Annual Small Images Show", Sullivan Goss, Santa Barbara, CA
2003 "Ray Strong: Endurance", Sullivan Goss, Santa Barbara, CA
|
 | Lifting Clouds, Morning Light
April, 1980
18" x 36"
Oil on board
Private Collection
Completed when the artist is still a young seventy-five, this painting depicts the mountains around Santa Barbara and one of the California Oaks for which his Oak Group is named. |
|
V. Education & Affiliations
1985 Co-founder, Oak Group
1965 Co-founder, Santa Barbara Art Institute, Santa Barbara, Calif.
1934-36 WPA
1934 San Francisco Art Students League
1926 Art Students League, New York
1924 California School of Fine Arts, San Francisco (now the San Francisco Fine Arts Institute)
|
California, Green Hills. |
Don Archer Sketching in La Purisima. |
Farm. |
Garrapata Beach, Big Sur |
Mountain Lake, c. 1960s. |
Point Conception. |
San Jacinto Mountains. |
San Marcos Ranch. |
San Marcos. |
|
|