Sullivan Goss
AN AMERICAN GALLERY
Celebrating 23 Years of 19th, 20th and 21st Century American Art
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ALIA E. EL-BERMANI

CONTEMPORARY PAINTER

By Gallery Historians

Alia El-Bermani is a vanguard

 

Table Of Contents
 

I. Biography

Under construction
 

II. An Analysis of the Artist's Work

“Artist Statement ~ Perceptions of Beauty” by Alia E. El-Bermani

When a friend asked me to summarize my entire body of work into as few words as possible I was a bit stumped. Although my work in both drawing and painting has always comprised either the figure and/or still life, that didn’t seem an adequate statement. After a moment of silent thought; it suddenly came to me in a single word, “Beauty”. I have always been interested in finding beauty in my subjects. Whether it is a psychologically charged portrait, a dead bird, or a quiet interior, there is an inherent urge within me to represent the power of ordinary things, the power of their beauty. Habitually, we all tend to overlook and not question ordinary things. As an artist I hope to reveal and celebrate the extraordinary within the ordinary, including the human form.

From this conversation sprang my ideas for this body of work, titled “Perceptions of Beauty”. After months of pondering and reading criticisms on the practice of beauty in art, I decided this body of work had to have a more personal meaning as well. It not only had to represent beauty, but had to have some more social significance. So paring down and braiding several ideas together I decided to go back to another familiar aspect of my work - women. Personally, I have always felt less than beautiful and found that this is a common trait for women. We are constantly buying, wearing, or searching for new products that will make us more beautiful or rather “feel” more beautiful. We wear devices to lift, tuck and conceal. As a mother, I want more for my daughter than that. I want her and all my beloved women to feel their inherent beauty.

The final important aspect of this series is that not only does the subject itself have to represent beauty but the paint itself has to be beautiful. If the application of paint is not beautiful, then it may distract from the overall intent of the image. These images represent my subjects’ own personal sense of what is beautiful as well as my perception of what is beautiful within them. Thus, this is “Perceptions of Beauty.”

 

III. Education

  • 1996 –2000 BFA, Summa Com Laude, Laguna College of Art and Design, Laguna Beach, CA
  • 1997 Summer Study, Aix en Provence, France
  • 1994-96 Roger Williams University, Bristol, RI
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    IV. Solo Exhibitions

  • 2007 The Un-Aquired: Recent Paintings & Drawings, Mt. San Jacinto College Art Gallery, San Jacinto, CA
  • 2006 Perceptions of Beauty, Sullivan Goss Gallery, Santa Barbara, CA
  • 2002 Private Moments, DNFA Gallery, Pasadena, CA
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    V. Group Exhibitions

  • 2007 Los Angeles Art Show, Barker Hanger, Sullivan Goss, Santa Monica, CA
  • 2006 LCAD at 45, Seven Degrees, Laguna Beach, CA
  • 2005 Figure This III, Da Vinci Art Gallery, Los Angeles City College, Los Angeles, CA
  • 2005 Faculty Exhibition, Laguna College of Art and Design, Laguna Beach, CA
  • 2005 Still Life, Still Here, Two Views, SCAPE, Corona Del Mar, CA
  • 2005 American Labor, Sullivan Goss Gallery, Santa Barbara, CA
  • 2005 Postcard Invitational, Da Vinci Art Gallery, Los Angeles City College, Los Angeles, CA
  • 2004 Alumni Exhibition, Laguna College of Art and Design, Laguna Beach, CA
  • 2004 Open Call, Los Angeles Municipal Art Gallery, Los Angeles, CA
  • 2004 Collector’s Choice, Ettinger & Reynolds Gallery, Laguna Beach, CA
  • 2003 Postcard Invitational, Da Vinci Art Gallery, Los Angeles City College, Los Angeles, CA
  • 2003 Art for Healing Auction, Diane Nelson Fine Art, Laguna Beach, CA
  • 2003 Realism is Back, West Valley Art Museum, Surprise, AZ
  • 2003 Artist’s Council 34th Annual National Juried Exhibition, Palm Springs Desert Museum, Palm Springs, CA
  • 2003 The Figure in Paint & Pastel, Diane Nelson Fine Art, Laguna Beach, CA
  • 2002 Art Auction XX, Laguna Art Museum, Laguna Beach, CA
  • 2001 Artist’s Choice, Nathan J. Gallery, Dana Point, CA
  • 2001 Art for Small Places, Hall Jaynes Studio, Dana Point, CA
  • 2001 Collector’s Choice, Ettinger & Reynolds Gallery, Laguna Beach, CA
  • 2001-02 Bugs, Anchorage Museum of History & Art, Anchorage, AK
  • 2001 Inaugural Exhibition, Nathan J. Gallery, Dana Point, CA
  • 2001 Centered on the Center, Huntington Beach Art Center, CA
  • 2000 10th Annual Art Auction, Inner City Arts, Los Angeles, CA
  • 2000 Lyme Academy of Art, Lyme, CT
  • 2000 Fact Gallery, Laguna Beach, CA
  • 2000 Ettinger & Reynolds Gallery, Laguna Beach, CA
  • 2000 On Site at the Gate, Angels Gate Cultural Center, San Pedro, CA
  • 2000 Woman Consuming/ Woman Consumed, MatrixArts, Sacramento, CA
  • 1999 Nine After Four, Cruz LA Gallery, Los Angeles, CA
  • 1999-96 Annual Juried Student Exhibition, Ettinger & Reynolds Gallery, CA
  • 1997 Visions of Provence, Ettinger & Reynolds Gallery, Laguna Beach, CA
  • 1997 American Student Exhibition, Aix en Provence, France
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    VI. Selected Public/ Corporate Collections

  • Massachusetts Audubon Society, Marshfield, MA
  • Tufts University Medical School, Boston, MA
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    VII. Awards

  • 2003 Windsor Newton Award, Artist Council, Palm Springs Desert Museum
  • 1999 First Place: Fine Arts, Annual Juried Student Exhibition
  • 1998 Plotkin Foundation Award
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    VIII. Publications

  • 2006 Beth Taylor Scott, “Mirror Images,” The Independent, 10/5.
  • 2006 Ted Mills, “Beauty of the Modern Woman,” Santa Barbara News Press, 8/25.
  • 2002 Rick Gilbert, ArtWeek, October Issue.
  • 2002 Lydia Ringwald, “El-Bermani Puts Thought into Art,” Laguna News Post, 8/8
  • 2000 Preparing for a Career in Art and Design, The Association of Independent Colleges of Art and Design.
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    Alison.
    Cassandra.
    Colin.
    Early Morning.
    Kitchen Window.
    Paige at Mirror.
    Plurality.
    Public Restroom.
    Reflecting Image.
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